Songs for a New World

From l, Malek Hanna, AnnaLisa Erickson, Mookie Johnson, and Andrea Arvanigian in “Songs for a New World.”

A musical play with no spoken dialogue, that tells its tale in about a dozen and a half soul searching songs … the storyline is undeniably thin, but the overall message is life affirming. The playwright (music and lyrics) Jason Robert Brown states in part, “I wrote those songs when I was struggling in a city that didn’t even notice I was there (Greenwich Village/New York). Songs for a New World suggests that our best solution for the stress, terror, and anxiety we feel, is to come together and support and uplift each other. Listen to the song I sing – and trust me: We’ll be fine.” On a gorgeous cocktail lounge set (by Brandy Jacobs) and directed with exuberance by Marco Gomez, four expressive singers take us on a musical journey of heartfelt experiences, and life lessons. The uplifting play, all performed in song … is certainly not for everyone’s taste, but this high energy cast of vocalists works very hard to convey the positive message (lively choreography by Angela Todaro must be applauded!) The second of six scheduled productions planned under the guidance of Dolf Ramos and Marco Gomez, featuring the Doma Theatre Company members … their first production of Tommy (the pinball wizard) enjoyed a great run recently! Alternating the spotlight in meaningful song performances … AnnaLisa Erickson (as Woman 2), Malek Hanna (as Man 2), Mookie Johnson (as Man 1), and a heartstoppingly talented Andrea Arvanigian (as Woman 1) … took the stage with life affirming and thought provoking vocal performances. Inspiring depictions by all! (JC Chavez wordlessly played the bartender.) The “live” onstage band, under the musical direction of Dolf Ramos, and the “larger than life” passion of conductor/pianist … Chris Raymond was hot stuff! Ng Yuhong (piano), Antonio Rodrigo (bass), Anjilla Piazza (drums), and Martin Diller (percussion). What a great band! Basically focusing on the joys, pain, and challenges of life, emotionally depicted in songs, the format is unusual … yet powerful!

I enjoyed the ride!

Running through June 3 at The Met Theatre located at 1089 N. Oxford Ave. in Los Angeles. For seats, call (323) 465-0693 or go to www.domatheatre.com.

Love Struck

From l, Dave Roberts, Barbara Bain, and Peter Van Norden in “Identity” from “Love Struck.”

A highly entertaining set of eight one-act plays, on the age old subject of “Love” … this is a wonderful collection of stories. All penned by Dale Griffiths Stamos, with skill, humor, and a passionate sense of the intricate workings of the human heart … she is, I feel, a truly gifted writer. Taking us from laughter to aching pain, to soulful life situations repeatedly, there is much to ponder here. Directed with inventive and “true to life” emotion by Maggie Grant, a fine cast of over a dozen actors spill their guts, bare their souls, and tickle your funny bones, as the evening plays out. Sadly, when reviewing “one act” productions, there’s never enough space to feature every actor and scene individually … so I must pick my favorites overall.

Identity

When her loving husband and adult son come to visit her at a retirement home (well played by Peter Van Norden and Dave Roberts) the Alzheimer-afflicted Roxanne reveals a shocking secret. A mesmerizing performance by Barbara Bain, in this beautiful scene.

Jeremy’s Fear

In a gutwrenching solo performance by Eric Charles Jorgenson, a man confesses and tries to justify his homosexuality over his mother’s funeral casket … There wasn’t a dry eye in the audience!

Amanda Split

A clever and animated look at a “good girl-bad girl” fantasy piece. We hilariously view the “alter ego” of Laura, as she struggles with her attraction to a “no good” unsuitable lover. Fun-filled depictions by Molly Leland, Julianna Robinson, and Ryan Cross.

Matchmade

A stunning older woman, running a “Love After 70” dating service, gets a surprise visitor. After 50 years, a male friend of her and her late husband turn up, hoping to court her … and possibly build a romantic relationship. Taken totally by surprise … Will she or won’t she? This delightful scene, played with plenty of “senior sassiness” by Barbara Bain and Nick Ullett … was probably my favorite!

Too many to comment on all of the scenes … but each of them, and their actors, were commendable … and perfectly cast! Triple kudos to Lila Cannon, who handled the set, sound, and lighting, for the entire production! This enjoyable grouping of “one act” plays is heart-touching, thought provoking, and a lot of fun at the same time, with life situations to consider, for theater lovers of all ages. Do try to catch it! Running on the weekends through May 27 at The Beverly Hills Playhouse located at 254 S. Robertson Blvd. in Beverly Hills. For seats, call (323) 960-7787 or go to www.plays411.com/lovestruck.

Back next week with two more “play reviews” to pique your interest….

Sleeping Ugly – A World Premiere

WHERE ARE WE? Judy (Jaimi Paige, l) and Stanley (Chuck Raucci, r) can’t find their honeymoon hotel and are led on a merry chase by Kabuki/Commedia Ensemble members, from l, Alison Blanchard, Scot Shamblin, and James Terry.

A hilariously touching, insanely unique theatrical “adult fairy tale” … this ambitiously creative offering is unlike any I’ve ever seen! More of a “performance art piece” with a storyline, than a proper play, this “cartoon-like” production is so clever, entertaining, and whacky … I loved every inventive moment! It was written by two time Oscar nominated screenwriter Arnold Schulman, a senior gent of 86 years young. Noted Director Chris DeCarlo riotously takes the audience on a surreal and wildly manic and visual journey … not soon to be forgotten. Combining Commedia-Circus style with mock Japanese Kabuki, physical theatrix, multi-media design, and “live” sound effects … this is an “imagination-work out” for the audience. Serena Dolinsky as the Commedia Movement Director, and the impeccably timed “live” sound effects, handled by Evelyn Rudie, were brilliantly audience involving! Focusing on two lonely young adults with “issues,” Judy jumps in the ocean in a suicide attempt, and Stanley jumps in to save her … yet she ends up saving him. Strangers, it turns out they are neighbors, living in the same building. Looney and loveable performances by Jaimi Paige and Chuck Raucci, in these two clever lead roles! She, a New York magazine editor, and he, a pediatric dentist, immediately “click,” as sparks between them fly … but “other worldly” circumstances make the potential romance “tricky.” It turns out that he is a werewolf, with no recollection of his actions … and she must somehow find a way to free him from his unthinkable plight. Sounds crazy I know, but this is the basic plot. As the zany story unfolds, the company of high energy actors in multiple roles, and wildly imaginative make-up, impressively play most of the props and set pieces themselves … aided by countless imaginative and colorful poster board cut-outs. A magical marathon of madness! (… You just have to see it to get it!) The remainder of this cleverly zany, enthusiastic cast includes: Serena Dolinsky, Alison Blanchard, Juliet Ladines, Scott Shamblin, Constance Strickland, and James Terry. In a production this creative … it takes a very special team to pull it off. All must be mentioned! Kooky costumes – Ashley Hayes; Set and Lighting – James Cooper; Sound – Linn Yamaha Hirschman; Multi-Media – The Attic Room; Graphic Design – Timothy Chadwick; Associate Producer – Peter Schulman; and Stage Manager/Set Creation – George J. Vennes III. An invaluable experience also for young acting students … I highly recommend that drama coaches in L.A. call and book seats to expose them to this artistic form of theatrical creativity (… at a group rate). To everyone else, I say … Release your imaginative “off beat side” and catch this unique and funfilled production! Running through June 17 at The Santa Monica Playhouse located at 1211 4th St. in Santa Monica. For tickets or group sales, call (310) 394-9779 ext. 1 or go online to www.santamonicaplayhouse.com.

A Brief Look at Upcoming Local Productions Moon Over Buffalo – Written by Ken Ludwig and Directed by Drina Durazo. Opening May 11 at The Lonny Chapman Theatre.

This show biz farce follows the dynamics of a financially struggling theatrical family, performing “hack versions of popular theater classics,” to pay the bills. When they learn that Frank Capra is coming to see their work … their enthusiasm is electric! Already booked for their opening night, I won’t be able to review this one … but our gifted critic, Mary Mallory, will be there! For early booking, call (818) 763-5990.

Bitchslap!

Written by Darrin Hagen and Directed by Odalys Nanin. Opening May 19 at Macha Theatre.

A comedy that chronicles the infamous 40 year dispute between Bette Davis and Joan Crawford, with gossip columnist Hedda Hopper fueling the fire … I can’t wait for this one! Starring the incomparable C. Stephen Foster, who has been “wowing” audiences as Bette Davis for decades … this is sure to be a crowd pleasing winner! For early booking call (323) 960-7724.

That’s my story for this week. Back next time to tell you all about two opening night productions….

The Bridge Club

From l, Nancy Dobbs Owen and Christopher Franciosa in “The Bridge Club.”

This play offers a thought provoking and surreal concept. Peering in on lost souls who have given up on life for a variety of reasons, and are ready to end their misery … this drama with humorous moments, has some trippy twists ‘n’ turns. Cleverly directed by Mike Sabatino, and written by noted TV writer, Richard Raskind, as a result of his fascination with the incredible actual number of suicides off the Golden Gate Bridge … the subject matter is voyeuristically compelling. Conflicted, I enjoyed this play for the most part, with some reservations. Once the second act opened, and the various characters became familiar to us, with a “Twilight Zone-esque” vibe … I longed to know more about each of their lives, than was revealed in the script. The play opens on Jack, a terminally cancer-afflicted man, about to end his own life, by jumping off the bridge. Although Christopher Franciosa as Jack, was convincingly forlorn, he tended to “over play” his role much of the time. Often, “less” is more believable. Hopefully, just a case of opening night jitters … and toned down by now. To Jack’s shock and dismay, he is encountered by a very feisty and opinionated woman who has beaten him to the bridge, with the same grim intention. Lost, lonely, and facing prison time, she attempts to talk him out of “jumping,” before she takes her own death dive (a spirited stand out performance by Nancy Dobbs Owen!) In Act Two, we meet Mr. Smith, a bridge authority guard, who oddly knows the name of every person who has ever leaped off the bridge (a quirky, and as always … “Spot-On” Shelly Kurtz). A hilariously whacky young jogger (Andrew Villarreal) and Jack’s girlfriend on the phone (Vesna Tolomanoska), round out the cast. A sparse but effective set design by Dave Blass, created the tense mood perfectly. With all the aspects one must consider when critiquing a play … the sound and lighting credits often get only minimal mention. This troupe wisely hired a duo of artists who have excelled in originality, in these “behind the scenes” tasks, in countless LA productions, for many years. Peter Strauss designed the eerie lighting here with darkly daunting vision, and Steve Shaw creatively designed the sound. FYI – If you sit in the theatre during intermission, and listen to Shaw’s personally selected sound tracks … Every song played … has been sung and recorded by musical artists who actually committed suicide themselves. A complex, entertaining, touching and surreal storyline, that in my opinion, would benefit from a bit more “minor character” development … Theatre, much like life … is an ever changing journey! Running through May 13 at Deaf West Theatre located at 5112 Lankershim Blvd. in NoHo. For seats, call (323) 960-7711.

A Sneak Peek at Productions I’m Scheduled to See and Review

Love Struck – Opening May 11 at the Beverly Hills Playhouse, Written by Dale Griffiths Stamos

A set of seven one act plays on the subject of “love,” starring a large and diverse cast of 16 actors … I look forward to this one! The press release promises, “Love lost, Love found, Unrequited love, Redemptive love … and Just plain silly love!” Starring Barbara Bain, Peter Van Norden, and Nick Ullett. If you’d like to take your mom to one of the Mother’s Day performances … May 13 at 3 or 7 o’clock … she will receive champagne and roses. To book seats, go to www.plays411.come/lovestruck.

Aftershocks – Opening May 11 at the Lyric Theatre, Written by Doug Haverty

Two Ohio trailer park housewives are having a blast as movie “extras” … until someone from the past turns up on the doorstep…. For seats, call (323) 960-1055.

Bea Bea’s – “Breakfast Is Everything”

Wake up and smell the bacon, folks! It’s funny how you can drive by a place in your own neighborhood time and time again, and never notice it. Open a couple of years now, I spontaneously stopped in for a quiet meal by myself … (current novel in hand.) Mainly serving deliciously decadent and creative breakfast meals from 7 till 4 … the servings are huge and the place was jam packed! Perched on the corner of Pass Avenue and Oak in Burbank … you’ve just gotta’ check it out!

That’s my story for this week. Back next time with more ideas to get you out of the house and have some fun!

Holding On – Letting Go

From l, Barry Wiggins and Iona Morris in “Holding On - Letting Go” at Fremont Centre Theatre.

This is an in depth, sensitive, and “in your face” production, dealing with the up coming death of a family member dealing with cancer. Although the topic is undeniably dark, it is handled here in Bryan Harnetiaux’s sensitive script, with a mix of painful truths and loving humor, repeatedly intertwining. Captivatingly involving! As the play opens, we view a playful and younger Bobby and his wife Lee on a video screen (segment directed by Jed Reynolds). Once both basketball players in college, they later became pro-coaches. After a long and happy marriage, Bobby is terminally stricken with cancer, and a team of specialists are called in to tend to his comfort and needs until the end. Directed with gut-wrenching realism by James Reynolds, assisted by his son Jed Reynolds, James states: “Hospice is one of the more enlightened ways our culture responds to dying. It is to provide relief from pain, acceptance of reality, and comfort for both the patient and the friends and family.” This heart-touching story takes us on a “slice of life” journey, revealing a tough situation for everyone in its path. Looking at his mortality … facing the final chapter of his life at home, surrounded by loved ones and caring professionals … Barry Wiggins as Bobby, gives a heartfelt and brilliantly focused performance! Iona Morris as Lee, his super successful and busy wife, struggling to face the truth, is also powerfully believable! Providing much welcomed comic relief, Amentha Dymally as Bobby’s quirky mother is a bittersweet riot. Jill Remez gives a touchingly compassionate portrayal, as Bobby’s loyal nurse, caught in the middle of this couple’s unthinkable crisis. In smaller roles: Christian Malmin plays a supportive, tho’ rather goofy Chaplin of sorts, on hand to offer Bobby spiritual strength, and Lamar Hughes is touching as a likable returning social worker. Technically tight as well … congrats to Marie Miller for a beautiful set, Carol Doehring for mood setting lighting, Grady Hutt for sound, and Lois Tedrow for costumes. It takes a clever team to create a mood that involves us totally! A thought provoking, deeply moving production … well handled in every sensitive way … Do take the time to catch this true to life, disturbingly worthy drama. Running though May 27 at the Fremont Centre Theatre located at 1000 Fremont Ave. in South Pasadena. For seats, call (toll free) 866-811-4111.

Footnote:

This play runs with the producing support of “VITAS.” These volunteers give their time selflessly to terminal patients and their families. If you feel that you have the “heart” and courage for hospice care, and would like to share the gift of your time … give them a call to learn more. 1-800-966-8709.

Personal “Congrats” to the Much Loved and Multi-Talented Co-Artistic Directors of the Fremont Centre!

Lissa and James.

James and Lissa Reynolds, married nearly three decades, are a dynamic duo, who just began their 15th year of offering high quality, well received productions here, at their theatrical “home away from home.” The proud recipients of the South Pasadena Rotary Club’s 2012 “Citizen of the Year” award … they spread their love in so many ways!

The Heiress

I am so looking forward to the opening of this play! Said to be a spellbinding drama … a masterpiece of love, deception, and betrayal … I have never seen it. The original Broadway production in 1947 earned actor Basil Rathbone a Tony Award nomination, and the 1949 film was the recipient of four Academy Awards, including “Best Actress” for Olivia de Havilland. More recently, The Heiress won the 1995 “Tony” for Best Revival of a play. Soon it will star Richard Chamberlain as Dr. Austin Sloper, opening April 24 at The Pasadena Playhouse. (“Who” of a “certain age” didn’t have a major crush on Dr. Kildare in the 1960s?) Supported by a fine cast, this should be a wonderful theatrical experience! I’ll be there opening night, and tell you all about it. If you’d like to book seats ahead of time … call (626) 356-7529.

All out of “chatter” for this time … Back next week, as always.

Slow Dance in Midtown – Compellingly Written and Directed by Elizabeth Sarnoff

From l, Meredith Scott Lynn and Tricia Small star in the World Premiere Play “Slow Dance in Midtown,” written and directed by Elizabeth Sarnoff and now playing at the Whitefire Theatre in Sherman Oaks.

A raw and gritty look at the complicated and painful secrets that can simmer beneath the surface, between family and friends … this play is a dose of harsh reality. With a stellar list of TV writing credits (NYPD Blue, Lost, Deadwood, Crossing Jordan, etc.), Sarnoff crafted this script for the “live” stage. Taking place in a dive bar, midtown NYC, two volatile sets of long estranged duos reunite explosively … hashing over the unique circumstances of their bitter separations. Why did their once close bonds and co-mingled involvements long ago come to crashing ends? Why are they all here now in this bar? Combative, harsh, soul searching, humorous, and heart-touching in turns … every emotional nerve is touched here, in four focused and explosive performances. Nick Stabile as Sal, Don Swayze as Frank, Tricia Small as Kate, and a fab ‘n’ feisty Meredith Scott Lynn as Maria … are gut wrenchingly believable! The gorgeously eye-popping and detailed set design by Tom Buderwitz and Andy Hammer, takes a “starring role” of its own. Setting the mood with intricate touches, it was one of the best sets I’ve seen on a smaller equity waiver stage! Jeremy Pivnick’s lighting and Mara Bear’s costumes were also notable.

From l, Nick Stabile and Don Swayze star in “Slow Dance in Midtown.”

Can those once valued relationships be revived, or will each go their own ways … wiser and stronger from these eye opening confrontations? David Elzer’s press notes state: “It’s not how two souls come together, but how they move apart, that proves kinship.” This play captures that moment in time. A polished and professional effort all around … yet I expect that this play will get “mixed reviews.” An unusual and complex format, with only two of the characters in each act, I must admit it took me awhile to put the whole concept together, and make sense of it all. I feel sure that “seasoned” theater audiences will enjoy it most … This is certainly no mindless and lighthearted romp! Running through May 12 at the Whitefire Theatre located at 13500 Ventura Blvd. in Sherman Oaks. For seats, call (818) 990-2324 or online at www.brownpapertickets.com.

A brief look at the next two plays I’ll see and critique….

Holding On – Letting Go – A World Premiere. Written by Bryan Harnetiaux/Directed by James Reynolds

A drama that focuses on the longtime marriage of basketball coaches, Bobbi and Lee. As Bobbi’s health greatly declines at only 51, the couple must face personal issues and tough decisions. This production reunites the writer and director of National Pastime, about Jackie Robinson, which enjoyed six months of “sold out” audiences here at The Fremont Centre. For early booking, call (866) 811-4111.

The Bridge Club – Written by Richard Raskind/Directed by Mike Sabatino

A deeply troubled man, ready to jump off the Golden Gate Bridge, is in for a surprise. Upon arrival, he finds a mouthy young woman perched on the edge of the bridge, who has beaten him to the punch! At Deaf West Theatre in NoHo. For early booking, call (323) 960-7711.

Viva Las Vegas!

I’d like to thank the “Rock-A-Billy” crowd for a fun and profitable period at my vintage clothing store, “Hubba Hubba!” Covered heavily in tattoos, wearing fab 1940s/50s hairstyles and great vintage clothing … these are some of my nicest, most polite, and spirited customers! (mostly ages 21 thru’ 40) On their way to Vegas for a huge annual five day party, called “Viva Las Vegas,” they annually return to me, and send in customers from all over the world, for “period clothing” to “wow ‘em” in Vegas! A yearly reminder to “never judge a book by looking at the cover” … we look forward to their happy faces every April!

 See you next week….

Lights Off, Eyes Closed 

From l, Joanna Kalafatis and Mary Burkin in “Lights Off, Eyes Closed.”

Written with other worldly, fun loving charm by Liz Shannon Miller, this is a unique and light heartedly thought provoking script. Proudly presented by SKY PILOT Theatre, they always offer original, controversially “off beat” world premiere productions. Playfully directed by Meredith Berg, the capable cast of six gives ambitious and multi-faceted performances. As the story unfolds, “twenty something” Jane has recently lost her mother, a successful romance novelist. Although she never really understood her mother, or related to her best selling stories of “undying love,” she is now in a unique position. Mom has “willed” her to finish writing the outline of her last romantic Regency Era novel, hoping this will help her find the key to the joy of romance in her own life, as a result. With the novel’s “overly passionate” story book characters’ repeated “larger than life” appearances, as mom looks on from afar (very funny), Jane attempts to finish the book honoring her mother’s dying wish. Quite sweet … and often hilarious, we are privy to Jane’s life, and romantic issues along the way. Mary Burkin is eerily down to earth as the wise and caring mother, and Joanna Kalafatis is delightfully quirky as the sexually inexperienced daughter. JR Esposito is charmingly loveable as Jane’s suitor, and “Executor of sorts” to mom’s will. Chera Holland in a smaller role, was sassy and solid, as mom’s critical book publisher. Playing two roles each, Jason Kobielus and Samantha Carro, both turned in excellent portrayals. He, as a playboy bartender, and She, as Jane’s best friend … also riotously play the “hero” and “heroine” in the romance novel’s recurring character depictions. A cute, “over the top” play … and a lot of fun! Creative kudos to Kareem Cervantes for his costume choices! My only criticism: Darting off and on the stage … the cast members were responsible for all of the sparse set changes. Tho’ they handled the task efficiently, I found this distracting and “mood breaking.” It is always much more effective to have other company members, not in the production, doing the schlepping! Other than that … we had a good time! Running through April 29 at T.U. Studios located at 10943 Camarillo St. in North Hollywood. For seats, call (800) 838-3006 or go to www.skypilottheatre.com.

Next week I’ll tell you all about a new play opening at The Whitefire Theatre.

Slow Dance in Midtown – Written and Directed by Elizabeth Sarnoff

A noted and busy writer, she has written scripts on such TV hit shows as: Lost, Deadwood, Alcatraz, and NYPD Blue. Impressive! Set in an empty New York City bar, four brassy and troubled people with intertwined issues hash over their differences. Fate, friendship, and family secrets come into play…. For early booking, visit www.brownpapertickets.com or call (818) 990-2324.

LA Weekly Theater Awards 

Had a fabulous time at the 33rd annual LA Weekly Awards bash, at the Avalon Theatre! Toga attire “optional,” the jam packed affair was as artistically rewarding as it was outrageous! Congrats to all the winners and nominees….

More to come next week as always….

The Who’s Tommy

From l, Jess Ford and Donovan Baise in “Tommy.”

A nostalgic blast from the past! Where were you in 1969? Whether you were on the planet yet, or still a figment of your parent’s imagination … everyone knows the multi-award winning musical rock opera, Tommy! Pete Townshend and Des Mcanuff’s powerful story about a deaf, dumb, and blind British boy … (“The Pinball Wizard”) rocked the nation and still resonates today. The classic history-making double album released in 1969, by Roger Daltry and The Who, is timeless! It then became a film in 1975 and a Broadway stage musical in the early ‘80s. The first mega-musical production in Doma Theatre’s innovative 2012 season, I look forward to seeing/reviewing all six shows. The result of the passion and dedication of Doma co-founders, Marco Gomez and Dolf Ramos, their intuition, love, and generous natures have no boundaries. Making The MET Theatre their “home” for the series of plays, there are so many artists, actors, singers, musicians, tech folks, etc., involved in Tommy, it’s impossible to credit every person in the space I have … but all spill their hearts and talents into this gigantic co-effort! Directed with skillful passion by Hallie Baran, this was a monumentally challenging undertaking. Well done…. The well-known story of Tommy, a young deaf, dumb, and blind kid who lives in his own world of “pinball wizardry” after witnessing a murder … nine year old Donovan Baise gives a precious and heartwarming performance. The multi-talented Jess Ford is electrifying as the adult Tommy, and Anna Ty Bergman and Geoffrey Going are spellbinding as his parents. Karl Maschek is creepy fun as the leering Uncle Ernie, and Stephanie Hayslip rocks as Gypsy, the Acid Queen! As the precocious young cousin Kevin (Adam Simon Krist) and the older cousin Kevin (Matt O’Neill), both were inspiring. The rest of the large cast, in multiple roles, played their parts with high energy gusto! Kudos to the “tasty” and hard driving musical direction of Chris Raymond and his hot onstage band. Wee criticism: On opening night, there were times when the band overpowered the phenomenal vocalists … but by now I’m confident that a balance has been found. Creative and mood setting efforts too by the technical team, who must be mentioned: Choreographer (Angela Todaro), Scenery and Costumes (Brandy Jacobs), Lighting (Cullen Pinney), and Sound (Joseph Montiel). This is an exhilarating and highly entertaining production! A timeless journey with an English flavor … Family dysfunction and unexpected circumstances have, and always will challenge us, as we each find our own ways to survive life’s madness. This production will have you enthusiastically rockin’ in your seats, while tugging at your heartstrings, and tickling your funny bones at the same time! A big production with a lot of heart … Whether Tommy is your nostalgic ticket back to your younger, wilder years, or for younger audiences a play and era you missed … Either way, you should catch it now! It’s a pretty meaningful and thought provoking trip … loaded with emotion-packed songs and performances! I hope to go back and catch it again! Running through April 15 at The MET Theatre located at 1089 N. Oxford in LA. For seats, call (323) 465-0693 or go to www.domatheatre.com.

James Reams & The Barnstormers

James Reams & The Barnstormers, from l, M. Miracle, D. Howe, J. Reams, T. Well, and B. Sprouse.

A friend and I recently headed up to Altadena’s “Coffee Gallery Backstage.” This is a comfy, cozy “showcase venue” that’s been open for years, selling coffees and snacks, and offering eclectic live entertainment. For their upcoming musical events list, dial in bstane@earthlink.net. We were there to catch the “one night only,” original bluegrass musical stylings and “down home” humor of Arizona-based, solid front man (vocalist/guitarist) James Reams & The Barnstormers. The popular band has been performing for nearly 20 years, and this is the current reincarnation of players backing James. Tyler Wells – a highly revered and awarded young banjo player — won the Huck Finn banjo competition in 2010. Mark Miracle has been playing mandolin all of his life, and has toured throughout the US, Canada, Australia, and Europe. Dennis Howe on standup bass has been honing his craft for 30 years, and is now groovin’ with The Barnstormers. As a bonus treat, Grand Ole Opry musician and legendary bluegrass fiddler, Blaine Sprouse, was featured the night we went. James and the guys mostly play early country material, as well as James original tunes written in authentic style, honoring bluegrass and its roots. He is widely known as “Ambassador of Bluegrass” for his dedication. Doug Tuchman, a bluegrass promoter for decades, stated, “This is the best traditionally oriented bluegrass band in the area … bar none.” This accomplished band’s music and collective onstage effort is easy, breezy, and fun lovin’. Great “pickin’,” meaningful songs, and plenty of spontaneous chatter … color their set with country style. They combined tasty vocal harmonies, “good clean fun,” and instrumental skill, throughout their infectiously likeable set. James jokingly said at one point, “We’re workin’ too hard at not being slick!” To date he has released eight CDs of his original tunes … some written with Tina Aridas. To order them, or get more band info (including music clips), go to www.jamesreams.com. Now checking out LA’s “bluegrass friendly” venues for booking … I’m sure he will be back on our local LA club stages in the near future. Watch for their name … and I’ll let you know when they are in town again! They’re a lot of fun!

Back next week with more “Entertainment Chat from Pat”!

]]> http://tolucantimes.info/section/theatre_review/as-it-turns-out-cosmically/feed/ 0 http://tolucantimes.info/section/theatre_review/a-bit-of-a-mish-mosh-column-this-week/ http://tolucantimes.info/section/theatre_review/a-bit-of-a-mish-mosh-column-this-week/#comments Thu, 22 Mar 2012 14:38:54 +0000 Pat Taylor http://tolucantimes.info/?p=15298 I didn’t catch any new productions on the weekend. As much needed torrential rainstorms blanketed California, and water-soaked marathon runners bravely “jumped the puddles” … I had a pretty uneventful couple of days. I am now looking forward to three upcoming entertainment evenings … Let me pique your interest! As always, I encourage you to sample the “delicious feast” of talent and visions, which simmer in our own LA backyards.

James Reams & the Barnstormers

James Reams & the Barnstormers, from l, Tyler Walls, Dennis Howe, James Reams, and Mark Miracle.

A spontaneous, last minute musical choice … What are you doing tonight? I’m going out to catch a One Night Only much loved bluegrass band at Altadena’s “Coffee Gallery Backstage” located at 2029 N. Lake St. The show runs from 8 p.m. till 10:15. Admission is $15. They are said to be a “down home,” hard core, no frills bluegrass band, based in Arizona. Together nearly 20 years, I’ve heard that their authentic music is a tasty mix of bluegrass, classic country, honky tonk, and rock-a-billy. Sounds like fun! Legendary bluegrass fiddler Blaine Sprouse will be featured. So if you’re in the mood for a mid-week musical treat … check them out tonight! See you there? I’ll tell you all about my experience there in next week’s column….

“Tommy” at The Met Theatre

The long awaited revival “opening” of Doma Theatre’s exciting season of six well known musicals, kick off here this weekend (March 23). Taking successful and popular plays of the past, and giving them audience involving “new twists,” each one promises to be highly stylized and quite spectacular! With eye popping costumes, and a ton of fab singers, I can’t wait to cover every production in the Doma series! The brainstorm of Doma’s cofounders, Marco Gomez and Dolf Ramos … I fully expect to be blown away! My youthful crush on Roger Daltry, after The Who’s classic 1969 double album rocked the world … is still a fond memory! (… of course I was only six at the time …Ha Ha!)

Lights Off, Eyes Closed

Opening March 24 at NoHo’s “Theatre Unlimited,” and written by Sky Pilot’s resident playwright, Liz Shannon. A romantic drama … we meet Jane, who has taken on the heartfelt task of finishing her recently deceased mother’s last romance novel. The book’s passionate characters, and her mother’s ghost, guide her in her quest … and honor her mother’s dying wish. Won’t be able to catch this one until the second weekend (I’m overly booked), but if you’d like to see it before I review it, call (800) 838-3006 for seats….

Go Gobetti!!!

Maria Gobetti with “proud hubby” Tom Ormeny.

The coveted “LA Weekly Theatre Awards” for 2011 will take place on April 2 at Hollywood’s “Avalon.” Honoring “the best of the best” work in all theatrical categories, on LA’s smaller stages, I’m always very interested in the outcome. I’d like to personally congratulate Maria Gobetti for being one of the five female drama nominees, in the acting category. This revered and much loved drama coach and 30 year long owner of Burbank’s “Victory Theatre,” with her husband Tom Ormeny, rarely finds the time to take a role in a play herself. Whenever she does … it is a treat! She just loved the script, written by Lissa Levin, and felt compelled to perform it. Playing a gutsy, “no nonsense” high school teacher, dealing with a male student’s “leaping libido,” in Sex and Education … her performance was brilliantly bawdy! Congrats, Maria, on the well-deserved nomination … and best of luck on April 2!

Well, that’s my 2 cents worth for this time. Back next week….

Cobb – Written by Lee Blessing

From l, Daniel Sykes, Kent Butler, and Bert Emmett in “Cobb.” Babe Ruth pictured on video screen.

Currently running, and garnering positive reviews around town … I went to see this powerful, “sold out” play on Saturday night. Presented by a theatre group whose “openings” I rarely miss, I wasn’t available for the first night’s run of this one. One of our other fine writers, Mary Mallory, eloquently reviewed it in last week’s issue. I also thought it was a very strong production, worthy of your attendance! It is ingeniously directed by Gregg T. Daniel, with crisp timing and vision, and flawlessly acted by four gifted actors. We are privy to the life of baseball “phenom,” Ty Cobb, at different stages/ages of his professionally remarkable and personally despicable life (time span: 1886 thru’ 1961). Bravo to fine actors: Kent Butler, Daniel Sykes, Bert Emmett, and Jason Delane! Do take Mary’s and my recommendations, and catch this theatrically mesmerizing and historically interesting production! Running through April 7 at North Hollywood’s Lonny Chapman Theatre. For seats, call (818) 763-5990.

Back soon with “new reviews” … I am especially looking forward to Doma Theatre’s musical season opening production of The Who’s Tommy, running at The Met Theatre … opening on March 23.

In the meantime … Don’t forget to use your sunscreen lotion! In March? Only in California!

The Fall to Earth

From l, JoBeth Williams, Ann Noble, and Deborah Puette in “The Fall to Earth.”

A strong theatrical offering in every aspect, this serious and emotional play … blessed with comedic moments, is mesmerizingly powerful! Written with gutwrenching realism, by Joel Drake Johnson, we are privy to the inner souls, and deeply-seated pain of a family in crisis. As the festering “truths” of the story unfold, a lifetime of resentments and strained family dynamics are revealed. Fay, a Midwestern mother who buys her clothes at JC Penney, and her adult daughter Rachel, must reunite. Traveling together to another state, to identify the body of their long-troubled son/brother, their differences explode. The dysfunctional sparks ignite, as painful childhood memories and maternal manipulation are faced in layers, as the two interact. A character driven play with deep meaning and much soul searching, this strong cast is hypnotically effective throughout the journey. The skilled and highly respected JoBeth Williams as Fay, gives a remarkably multi-dimensional performance, with the impeccable timing of a seasoned “pro.” Deborah Puette is soulfully believable as her absentee daughter, Rachel. Ann Noble, as a caring police officer assigned to their case, rounds out the cast with a heartfelt and focused portrayal. A trio of flawless ensemble depictions! As the troubled Kenny … appearing in a haunting and recurring wordless role, Ian Littleworth spurs chills. The technical work throughout, framed the eerily tense story perfectly. Tom Buderwitz has designed a gorgeous set, and the chilling lighting by Jeremy Pivnick, sound by John Zalewski, and costumes by Jocelyn Hublau Parker, are all worthy of praise. Kudos to all involved! This is a totally engrossing 90 minute/one act play … that feels a bit long … but is so strong, that it’s well worth the commitment! Running through April 1 at Odyssey Theatre located at 2055 S. Sepulveda Blvd. in West L.A. For seats call (310) 477-2055.

Oops … Sorry:

In my last week’s glowing review of Noel Coward’s Private Lives, running at Burbank’s GTC, a couple of the tech artists’ names got switched. In such a strong production … I meant to credit Allison Bibicoff for her dance choreography, and Brian Danner for his fight scenes’ choreography. Do catch this local play … It is fun!

A Culinary Tip from Me to You….

One of my “fave” spots! Burbank’s authentic “Thai Garden Room” is a bustling little family business running at Hollywood Way and Clark Street for 13 years. If you don’t know this “yummy” gem of a place … You must! You can dine on their patio (indoors and or out) or do “take out.” Either way, the food is delicious, fresh, and unbelievably affordable! Run by the adorable Pat … tell her that the other “Pat” from The Tolucan Times sent you!

That’s my story for this time… Until we meet again, why not do some browsing on Magnolia Park’s eclectic shopping strip? With “cool” new collectible and vintage stores opening non-stop, folks are coming from all over California to check it out! Some now refer to the growing selection of “trippy” shops along Magnolia Boulevard as “The New Melrose” … minus the high prices and parking problems. Open for 29 years … be sure to visit my shop too! “Hubba Hubba!” vintage clothes and jewelry for guys ‘n’ dolls (shameless plug….)

Ta Ta For Now….