Runtime 135 minutes.
OK for children.
While A Hijacking earlier this year gave a compelling story of a hijacking on the high seas, this one is a completely different deal. The former involved months of negotiations and emphasized the boredom of the captured crew. This new one is filled with action and bullets and typifies Hollywood. Even though both are based on true stories, to give Hollywood credit, the hijacking of Captain Phillips’ (Tom Hanks) ship was over in a very short period of time and did end with a lot of violence.
It is based on the 2009 hijacking of the container ship Maersk Alabama by Somali pirates. Fortunately, it’s directed by Paul Greengrass, who has a string of terrific action films to his credit including the two Bourne films that were any good and 2006’s United 93, the only good film yet made about 9/11 (Oliver Stone’s try, 2006’s World Trade Center, was dismal to give it the best of it). Based on Phillips’ book, A Captain’s Duty: Somali Pirates, Navy SEALs, and Dangerous Days at Sea, written with Stephan Talty, the screenplay is written by Billy Ray, who wrote and directed Shattered Glass (2003), one of the best print media movies ever made. Even though the film is too long, these two make it worth the time.
Greengrass makes it sort of like a documentary, called a docudrama, in the style of Roberto Rossellini’s Rome, Open City (1945) and Gillo Pontecorvo’s The Battle of Algiers (1966), although this is much more Hollywood than those. Greengrass strikes a happy medium, obtaining the influence of the older films without sacrificing what makes Hollywood Hollywood.
And that’s slam-bang action. Greengrass shot most of the film, 60 days’ worth, on the open sea. This required exceptional skills of the cinematographer, Barry Ackroyd, who says that no CG was used in the film. Everything shown actually happened. Hanks, for example, had to spend many days in the lifeboat, as did other cast members, and they all suffered sea sickness.
Hanks gives a good performance, as does Barkhad Abdi as Muse, the leader of the Somalis. While I remember the incident well, I thought that Phillips was heroic, volunteering to go with the pirates as a hostage. That’s not the way this film shows it. Also, I never could understand how the SEAL sharpshooters could have such accurate shooting on the high seas to take out three pirates simultaneously. The film covers this shooting, but it still doesn’t explain how such near-impossible shots could have been made.
The film gives a relatively sympathetic picture of the pirates, especially Muse, and actually makes the Navy look deceitful and dishonest. Maybe this is what happened, but you come away feeling that Muse ended up as a victim.
Greengrass keeps the tension mounting throughout the entire film. Despite the runtime, the story does not lag.